Search Result - Ordered Chronologically
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Bach Bibliography Search Result - Ordered Chronologically |
Author : Peters, Mark A.Your search has generated the following results ...
| Type | List | Author: Title  , Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
 | 1. | Peters, Mark A.: Adapting Bach's final Weimar Cantata for Performance in Leipzig: Liturgical and Musical Considerations in Cantata 147. Bach 31/1 (2000), 58-73 |  |
 | 2. | Peters, Mark A.: Speech and Silence in Bach's Cantatas to Texts by Marianna von Ziegler. [p]AMS_Allegheny (Oct 2001) | |
| | 3. | Peters, Mark A.: Settings of the Vox Christi in Johann Sebastian Bach's cantatas to texts by Christiane Mariane von Ziegler. [p]ABS_Houston (Apr 2002) | |
 | 4. | Peters, Mark A.: Christiana Mariana von Ziegler's Sacred Cantata Texts and Their Settings by Johann Sebastian Bach. diss. (2003), xv, 384p | |
| | 5. | Peters, Mark A.: Speech and Silence in Bach's Cantatas to Texts by Mariana von Ziegler. [p]AMS_Houston (Nov 2003) | |
| | 6. | Peters, Mark A.: A Reconsideration of Bach's Role as Text Redactor in the Ziegler Cantatas. Bach 36/1 (2005), 25-66 | |
| | 7. | Peters, Mark A.: Arthur Hartmann on Johann Sebastian Bach: 'The Bach Bogey'. BachNotesABS 3 (2005), 10-11 | |
| | 8. | Peters, Mark A.: To clear all hindering obstacles from the path': Mariana von Ziegler's use of music in defense of Women's rights. [p]AMS_Washington (Oct 2005) | |
| | 9. | Peters, Mark A.: Aria Forms and Scorings in J. S. Bach's Cantatas to Texts by Mariane von Ziegler. [p]BICB_Warsaw (Jul 2006) | |
| | 10. | Peters, Mark A.: A Woman's Voice in Sacred Baroque Music: Mariane von Ziegler as Cantata Librettist. [p]FMCS_Yale (Mar 2007) | |
| | 11. | Peters, Mark A.: Nun komm, der Heiden Heiland (BWV 62) within the Context of J. S. Bach's Second Leipzig Jahrgang. [p]MotrealBachfest (Dec 2007) | |
 | 12. | Peters, Mark A.: A Woman's Voice in Baroque Music: Mariane von Ziegler and J. S. Bach. (2008), xviii, 192p | |
| | 13. | Peters, Mark A.: Considerations of Genre in J. S. Bach's BWV 10, Meine Seel erhebt den Herren. [p]ABS_Bethlehem (May 2008) | |
| | 14. | Peters, Mark A.: German Magnificat and Chorale Cantata: J. S. Bach's Meine Seel erhebt den Herren (BWV 10). [p]FMCS_NotreDame (Feb 2009) | |
| | 15. | Peters, Mark A.: A Woman's Poetry in Leipzig's Churches: Mariane von Ziegler as Cantata Librettist. [p]Women_Yale (Oct 2009) | |
| | 16. | Peters, Mark A.: J. S. Bach's Meine Seel' erhebt den Herren (BWV 10) as Chorale Cantata and Magnificat Paraphrase. Bach 43/1 (2012), 29-65 | |
| | 17. | Peters, Mark A.: Vocal Music. [ce]RoutledgeResearchCompanion (2017), 267-294 | |
| | 18. | Peters, Mark A.: Marian theology in printed cantata librettos for the German Lutheran Church, 1704–54. YaleJMRelig 3/1 (2017), 93-118 | |
| | 19. | Peters, Mark A.: Death to Life, Sorrow to Joy: Martin Luther's Theology of the Cross and J. S. Bach's Eastertide Cantata Ihr werdet weinen und heulen (BWV 103) ContextBachStud 8 (2018), 51-73 | |
| | 20. | Peters, Mark A.; Sanders, Reginald L. (eds.): Compositional Choices and Meaning in the Vocal Music of J. S. Bach. ContextBachStud 8 (2018), xxi, 328p | |